Sunday, 15 April 2018

Salute 2018 recap

I went to Salute in London, as I do. I was trying to be responsible in my spending, but I still saw and did some cool stuff. I didn't take as many photos as I normally do.

Anyway, here's what I did: 

I participated in a speed painting contest, and I won! My job was pretty rough; lighting wasn't great, tools weren't perfect, etc. I think I won because I did a little rudimentary wash on the armour plates and the hair. 

I won a bunch of swag as a result of this contest, including Salute exclusive models from previous years and a set of brushes. I'm pretty excited about these brushes, actually: brushes were on my shopping list. I'm probably going to sell off the surplus models, since I already have one of each of these. 

Speaking of free models, the theme for this year was WWI. Last year's theme was a centennial one as well -- the Russian Revolution -- and this year's model was not just one model but three, a little diorama showing British, French and German soldiers at the end of the war. 

I'm going to mount them on a plinth and paint them up as a war memorial sort of a scene, I think. 

Speaking of WWI, there were some living-history types around, and they had brought a very imposing looking mockup of a WWI tank.

What else did I do? I painted some models at the Mantic paint-and-take, including a couple of the new models from Star Saga. I don't know that I'm going to play the game, but a character in an armoured spacesuit armed with a length of pipe will certainly come in handy in my post-apocalyptic game. 

Here are some things I saw: 

I really liked the colour scheme in this dungeon created by Mierce Miniatures.

I think this cool-looking science fiction board was at the Wild West Exodus stand,
which may mean I have misunderstood that game. 

I always enjoy a VBCW game.

This Seven Years' War game was all done with paper miniatures.
There are a bunch of these books, including one for Hastings. I'm kind of tempted to check them out, although I think the ones with brightly-coloured armies in serried ranks are probably the best candidates.

This board was for a game called The Drowned Earth. If it's got apes hunting dinosaurs, it has my interest. 

Some friends of mine were playing a game called Moonstone, which features a goblin riding a pug.

Wargames Illustrated were hosting this cool board for a druid-themed game.

Here's a close-up of the Wicker Man. 

This amazing sci-fi vehicle is a Poundland Toy with some added bits and a hell of a paint job. 
I was pretty restrained in my purchases. I collected some Kickstarter models from Bad Squiddo Games -- photos coming soon, hopefully -- and I bought some models from Bear's Head Miniatures as well. I also picked up some scenery for Frostgrave and Frostgrave Ghost Archipelago, as well as the new FGA book, The Lost Colossus. I'm gonna have to make some colossal scenery. Speaking of scenery, I picked up a prototype Wasteman piece that I hope to be able to show you soon.

It was also good to see friends, including people I don't often get to see other than at wargames shows. You never get enough time to talk to people at the show, but it's still good to catch up and say hi. I do like the post-show social atmosphere of BOYL; honestly, it's the main reason to go on Friday. I had a few conversations that reminded me that BOYL is actually pretty soon and that if I'm meant to be participating in some of the things I hope to participate in I had better get a move on.

The downside is that I have a big project deadline coming up and a lot of words I need to write over the next two weeks, so painting time is going to be pretty limited. In fact, I'm forcing myself to schedule some as a form of stress relief. 

Thursday, 29 March 2018

Another Monster Man contest!

Hey, do you folks remember the cavalcade of awesome creativity that was the Monster Man contest? I sure do! I enjoyed it so much I'm gonna do it again .. but this time it's going to be a little different!

Last time I asked people to design a monster based on a cheap toy, like this one:

That was fun, but I'm not gonna do the exact same thing again, at least not just yet. Instead we're going to do a quicker contest based around a different source. I explain in today's bonus episode of Monster Man.

But if you don't have time to listen to that right now, here's the rules:

1. Go to this article about D&D monster names created by neural networks.

2. Pick a monster such as the Slug, Spectral or the Mommy, Greater

3. Create a Monster Manual-style entry for your chosen name, with a description and stats for your favourite edition of D&D. Or your favourite RPG, whatever it might be. I'm not the boss of you! If you want to add a picture, that'd be double cool.

4. Send it to me by April 14th.

5. I will pick, by methods as yet undecided, a handful of winners.

6. I will create an episode of Monster Man for the winning monsters. Winners will also receive a Monster Man goody bag full of prizes. I've already had some offers of prize support, but if you have an RPG product you'd like to give away to our winners, give me a shout! Otherwise I'll think of something. It'll be a surprise!

7. You can enter more than once if you like, but you can't win more than once.

And that's it! Go make some monsters. Share this contest with your friends; the more the merrier.

Monday, 26 March 2018

Shadow War Armageddon retrospective: or, in defense of bad games

Back in the autumn, I joined in the Shadow War Armageddon campaign put on by the fine young people of (deep breath) the Cambridge University Roleplaying and Tabletop games Society, hereinafter CURTS. This was just after Shadow War Armageddon had come out, and I was keen to put my Orks to good use. The campaign has now wrapped up with a big final bash, and although I missed a few sessions I feel like I played enough to prompt some thoughts.

Splatgut takes aim with his Big Shoota
So, first off: it seems like I spend a lot of time talking to people who care a lot about game design, and I sort of care about it myself. This leads me to think about games in design-y terms sometimes. In those terms, Shadow War Armageddon is ... well, I don't know if it's a bad game, but it ain't great. It has the following flaws:

  • Although its core mechanic is the simple Warhammer 40K second edition ruleset (which is simple to me, at least, because I grew up with it), it piles on layer after layer of exceptions and special conditions, virtually guaranteeing that you will forget at least one of them during a match and feel like a dummy. Special rules for the weapons, special rules for the scenario, special rules for the factions. I admit that I am not a rules guy at the best of times, so maybe this is just me. 
  • It is, hands down no foolin', the worst-organised rulebook I have read, or at least it has the highest ratio of budget to quality. Not all the kill teams are in the same section! Kill teams and their special ops are in two different parts of the book, except only for some teams. Some teams have their weapons in different sections, but others don't. I realise that this is because some teams are "core" and others aren't, but how is that relevant? That's not how people actually play the game, a fact that ten seconds' reflection would have revealed.
  • Despite its complexity, its advancement system is so limited that it's not really all that much fun. 
  • It is not balanced for toffee. In particular, the rules were designed for a game where everybody starts out with a Move of 4 and a BS of 3 (and an I of 3 as well) and gunsights are limited. I'm not just bitter because I spent a lot of time pinned, but when a significant chunk of your opponent's team starts the game hitting on 2s, there's only so much cover you can take. Similarly, the introduction of kill teams with a move of 6 should have made the designers rethink the scenario rules. There are loads of scenarios which try to prevent turn-one charges with 8" distance restrictions, which is not a big deal for kill teams where some or all of the models have move 6. 
  • It does, to some degree, compensate for its lack of balance by being random as anything. I think my win-loss was about 50-50, or slightly less, but I cannot attribute this to any tactical merit on my part. I just slugged forward and sometimes I got into optimum Ork range and shredded my opponents with sustained fire and face-punches, and sometimes I didn't. I did sometimes win by remembering to focus on mission objectives, but that's partly because I just find missions with objectives fun.

The Grotmob advances, ready for action!
Now, all of this sounds like I didn't like the game, but actually ... my view on it is much more equivocal. I had a good old time playing in this campaign, although getting all the terrain to a place far from my house was a bit of a nuisance. Still, I was getting the hang of it by the end. I'm gonna buy one of those crates with the little rolly wheels.

Sorry, yes -- I enjoyed it! I mean, it's not going to win any awards, and if it does there's something fishy, but its very goofiness works in favour of it. Its high level of randomness and its goofy exceptions wind up provoking more laughs at the table than frustration, and it produces the kind of wargaming moments everyone likes -- moments that illuminate the personalities of the players and get retold at subsequent sessions. The thought of one of my Orks running around carrying a lectern, proudly proclaiming that he was the Boss now because he had a table, or Badlug squishing people like grapes with his power klaw and then, surrounded by the corpses of his foes, deciding it was time to bottle out, is good for a laugh.

I've mentioned that randomness cancels out the balance issues to some degree, but another thing that can compensate for balance issues is a general attitude of insouciance and/or inexperience. In a group that was half veteran killers and half total rookies, the weird disparities between some of the kill teams would have been frustrating, but in a group mostly composed of beginners no one really tried to build some ultimate murder squad. I encourage this attitude.

GW games are expensive, but they have this weird effect where their shared vocabulary works in favour of them. If Shadow War Armageddon were released as a spin-off for, I dunno, Beyond the Gates of Antares, no one at CURTS would play it, partly because they wouldn't already have models knocking about to play it with and partly because it would be unfamiliar to them. It was really interesting to see how the one guy in the group who didn't have a lot of familiarity with 40K struggled -- you sometimes forget that not everyone grew up with this game and take for granted the ability to, I don't know, tell a flamer and a meltagun apart at a glance and assess their relative capabilities.

(I feel bad because I think I was a little hard on that guy, actually; I am 90% more chilled out than I was when I was younger, but sometimes I still get impatient and I ought to learn to relax about stuff more.)

My main point is that the familiarity does have genuine benefits. On paper, Shadow War Armageddon is a hard game to learn. In practice, a huge segment of the gaming population already owns the miniatures and already understands what the statline means.

This may be for historical reasons that are more to do with savvy marketing and fun IP than how good the game is, but here's a question for you: who cares? Game designers, I have no doubt. Other than them?

So take a look at that photo. That's the final game, with seven players playing on an 8 x 4 (ish) table. You can see that there's painted terrain, stuff scratch-built out of foamboard, fantasy terrain, terrain made from junk, army man toys, I mean the whole bit. The whole thing's a mess. But it was a ton of fun.

And that's really important for me to remember. Like a lot of people who are into miniatures gaming, I spend a lot of time paying attention to the writings and works of people who are much better painters and terrain makers than I am. When you do that, it can be easy to feel frustrated about what you perceive as your own lack of progress. But this game was set up pretty quickly and there were all kinds of interesting sightlines and tricky angles and people cursing the terrain and people forgetting where models were hiding, and much laughter. And it has stuff people made themselves, and creative use of found objects -- the things I love!

The buzzchoppa isn't the most supremely pointless weapon in the game, but it's close.

Boss Badlug is your basic Evil Sunz boss: a status-obsessed meathead consumed with the need for the latest gadgets.
I have often lamented that there doesn't seem to be a sci-fi Frostgrave. I have to confess that I haven't tried Mini Gangs yet, even though I have the rulebook, and I have backed the Factious Waste Kickstarter, so I guess there's that, but I haven't found a game that gives me the simplicity and the ... interesting swinginess? ... that Frostgrave does. I absolutely accept that it isn't perfect, but right now I think it's very close to my preferences in a skirmish game. I just want the same thing but with aliens and zap guns, which may be the root of my problem.

These Ramshackle Games terrain pieces make great cover and great objectives.
High above the deck of the Space Hulk, Badlug battles the dreaded Nunboss!
In short, then, I have had a good old time over the last two terms playing a game that is ... let's call it flawed. My enjoyment of this may be more revealing in terms of my priorities than the actual game, but as I've got older I've found that I care about games in the abstract less and much more about my own priorities -- this is because I'm no longer really interested in universalising from the stuff I care about. I'm just interested in meeting my own specific goals.

And that's why a game that isn't all that great can still be a lot of fun.

Wednesday, 14 March 2018

New year, new campaign: a scenario

By the time you read this, the second session of my Other Dust campaign will already have happened and the players will probably know all of this. However, there might be one or two things they haven't spotted, so if you're a player in the campaign, you might not want to read this.

OK, everyone gone? Let's take a look at how I created this short Other Dust scenario. There isn't a lot that's system-specific; it's really just an example of how I develop an idea and the value of random generation!

To begin with: I started out with the parameters of a randomly-generated ruin from the Other Dust rulebook. I knew that this place was a former research establishment that people had attempted, but failed, to reactivate. I also knew that it was inhabited by "beasts." I initially planned for it to be inhabited by a pack of wild Gorehounds who would attack the caravan that was holding the PCs prisoner, giving them an opportunity to escape. But they up and escaped anyway without my intervention, so that was OK.

I had decided that the party trying to restore the Transfer Station were a group of monks from a settlement named CREDO. The random rolls for CREDO produced some weird effects: it was a theocracy that had access to a very powerful piece of pretech but was otherwise medieval-level in its technology. I decided that the ruling caste of priests had some knowledge of pretech but everyone else was at a swords-and-horses level. I then decided there would be a heresy within the faith that was interested in going out and getting more pretech, while the conservative rulers would object to anything that diminished the uniqueness of their big pretech doodad.

As a result, among the prisoners I put another CREDO monk, who had gone looking for his missing colleagues after they never returned from their attempt to reactivate the site, which I named Transfer Station 70. I still hadn't decided what the station actually did, and after the gorehound attack became unnecessary I started to get the sense that simple predators weren't interesting enough to be a main antagonist -- they had been intended to be a complication in a battle with the bandits.

So the last session ended with the PCs about to descend into the access tunnels under Transfer Station 70. I improvised during the session, saying that the Station was a nanofabricator facility -- a neutral nanobot slurry was pumped in here, then encoded with the requisite programming and pumped out as everything from construction material to shower gel. Lot of nanites in the Other Dust setting, where "nanite" = "magic" throughout.

So, over the next week I had to figure out what was down there, based on the following information:
  • missing monks
  • nanotech factory with lots of tanks and pipes
  • something more interesting than wild animals
So I sat down to think about a background. Now, I have mentioned here before that this game uses miniatures. They're not vital, and I'm not picky about positioning, but I do feel that a game with a strong visual inspiration component benefits from having something like them -- and anyway, I just enjoy painting. I decided that for my antagonists in this scenario, I wanted to use the Melty Men, some cool models from ThunderChild Miniatures

However, I only have two Melty Man models, so that wasn't going to be enough. I decided that there would be an intermediary stage, someone who was not yet completely transformed into a Melty Man by being immersed in wildly malfunctioning nanovector slurry. I later decided that these were what you got when you put a corpse, rather than a living person, into the slurry. I used some army men and hot glue to quickly knock up three of these zombie-like creatures. 

They're a little bit rough, but they were essentially free. Working with cheap materials and not paying attention to the fine details is part and parcel of creating single-use miniatures. If they cost a lot or took a long time to paint, you'd never make them, or at least I wouldn't. 

Initially the fact that they're wearing some kind of uniforms was just "eh, they're army men," but it would later come to be significant. 

So here's the outline I roughed out: 

It doesn't look very good, but that's because the cat walked on it with muddy paws. 

You may notice that Zora lacks a goal; what she winds up doing sort of depends on how the PCs interact with her. She basically comes from a religious context that tells her that pretech machines are divine. This one seems to want to turn people into glowing sludge monsters, which is definitely weird, but who is she to question the divine will? She's not completely out of touch with reality, though -- she's just got really bad tunnel vision on this issue. She could be persuaded to help shut down the machine, as long as the PCs are willing to overlook the fact that she turned her own colleagues into monsters. (Update: they killed her with a grenade and didn't give a heck.)

Anyway, I then pulled out my dungeon-mapping pad from Squarehex and roughed out a map. 

In retrospect, it could have been twice as large, but I left myself some room in case the session runs over and I want to link the complex to some other underground feature. (Update: it ran bang on the dot, reaching a satisfying conclusion just when it was time for everyone to go home.)

I ginned up some stats for the Melty Men and then went to do generate some loot from the random loot tables. I got a good amount of military equipment, as you can see, including an Insurgent Combat Shell and a laser rifle. It seemed that the backstory of Transfer Station 70 was developing. 

I decided that there were dead insurgents scattered throughout the complex. This seemingly innocuous civilian nanofabricator had been making, I dunno, something to keep the population docile. An insurgent squad had attacked it during the panic of the immediate apocalypse and managed to shut it down, but most of them had died in the process. Now that Zora has reactivated the corrupted fabricator (you kind of have to know about Other Dust's apocalypse for this to make sense, but basically all the magic nanites got turned evil, which is much more sciencey sounding than radiation in 2018), it's turning their bodies into melty zombies. The navcomp contains the coordinates for the insurgent base, which might make a fun adventure location.

So we have a main antagonist, two different kinds of minion monsters, a subplot and some fun environments (it's not very clear in the photos, but there's a pipe level below and around the complex that the Melty Men can flow through). That should be good for a session, and it's all on two pieces of paper, only one of which I'll really need at the table.

Update: the players used sample nanites from the decontamination units to reprogram the system to stop making evil goo and remove the infestations from people. They managed to save Gavin, one of the monks, although they killed the other one before they realised this was possible. The session ended with two PCs on zero HP and the remaining two with three HP between them, which makes me think I balanced it pretty well.

Wednesday, 28 February 2018

New year, new campaign: progress!

Earlier this month, I posted that I was going to start a new tabletop campaign. How's it going? It's going well.

Character creation went smoothly. The random mutation tables in Other Dust van produce some pretty bizarre characters, and I was worried that players who started with strong concepts wouldn't enjoy seeing them get derailed by random rolls (although you can get out of this using the rules as written), but people got into it and there was much laughter.

I use miniatures in a lot of my games, and most of my players are also fans, so they have created or are creating minis for their characters, adding mutations and so on. It's pretty cool. I don't have photos, because the light isn't quite right in the evening, but here's one of the model for my wife's character, which I hurriedly painted just before the first session. I'm going to go back and touch up some details.

The original model is "Talia Torino" from Crooked Dice, who I take to be Penelope Pitstop.

Anyway, we have a good mix of characters: a tough survivor thrown out of her enclave for being a mutant, who's lived in the wilderness as a hunter ever since; a scientist exiled from his enclave for violating their law against advanced tech; a gunfighter betrayed by his own gang and a corrupt judge; and a diplomat from the pre-apocalypse world who only just emerged from suspended animation.

Session one saw all four PCs escape from having been captured by baddies, who were going to sell them into slavery in a remote northern location called Emerald Lake. Reesix (the wild woman) thought this was a bit odd, since she had heard of Emerald Lake only as a quiet enclave in a remote spot. They staged an escape, which involved Jaime (the diplomat) distracting a guard, Twiggs (the gunfighter) bashing a guy with a big rock, and Jeb (the scientist) shooting four people with his cactus spines ... including a member of his own team, who went down and had to be revived with patch stims (which fortunately, having been stolen from Jaime, were in the bandits' cart).

They also befriended another prisoner, Femi, a monk originally from the enclave of Credo, who told him that a party of his fellow monks had gone missing in this area looking for something called "Transfer Station 70." He had come to find them but been abducted by the bandits. They headed to the nearby transfer station, hoping to find shelter to rest and heal their injuries. They found traces of the missing monks, but no one was to be seen.

The next day, with the injured feeling a little better, they decided, at Femi's urging, to continue the search. A hatch in one of the transfer station outbuildings led down into some kind of tunnel complex, and the stub of a candle spotted on the concrete floor below suggested that the monks had been down there. Holding their breath against the chemical stink, they descended ...

Of course, this bare-bones summary doesn't give a sense of the overall feeling of desperation and the laugher around the table. They were very pleased when they found a device to recharge batteries with, for instance, and they felt very fragile in the combats. Jaime went down in one shot (from her own side, no less) and the other characters who were hit were very aware that they couldn't get hit again. I started them off with some points of Hunger to give them a sense of urgency and that seems to have worked as well.

Overall I'm very pleased with how it's going so far!

Friday, 2 February 2018

New year, new campaign

I finished up my long-running D&D campaign in 2017, creating a gap of several months where I haven't been running a tabletop game. Gradually the urge built up and up, until finally I broke down. This is the start of an intermittent ongoing project log for the game I intend to run.

In this post, I'm going to lay out the basics of the plan:

1. Not my usual gaming group

My wife's going to be in this one, because she is the love of my life and we live in the same house and all that. But other than that, my goal is to include only players I haven't played with before. I've been playing with the same people all the time, and they're good people to play with, but I want to push myself a little bit and adapt more. Plus, you know, gaming with new people is fun in its own right.

2. A post-apocalyptic setting

I seem to have the urge to run something post-apocalyptic, on a level of whimsy somewhere between Mad Max and Gamma World. I guess the term for that is Fallout. I don't mean the Fallout setting specifically, I mean a game where there are serious emotional relationships and political and social questions but also where the specific details of the setting are absurd.

3. A simple system

I'm going to be using Sine Nomine's Other Dust. The core system is very simple and should be accessible for the players, but its membership in the broader family of D&D descendants makes it easy to adapt material from other games. I've got the Stars Without Number second edition Kickstarter as well, so that'll come in handy, I hope.

I'm going to be incorporating some elements of D&D 5th, including the bonds, ideals, flaws, and inspiration mechanics, which I feel will fit pretty neatly with the simplicity of the Other Dust system.

4. Miniatures for looks

I'm going to be trying to make use of my pretty extensive post-apocalyptic and science-fantasy miniatures collections, but the goal isn't to use miniatures as a basis for tactical combat. They'll help with things like ranges and proximity, but they're mainly all about looks and visualisation.

5. Regular updates

I want to write about the process of creating and running the game on this blog, partly to stop the blog from being just photos of miniatures and partly to keep myself thinking further in advance than I sometimes do. I think this will be good for the way I think about the game, although we'll see how it develops.

So that's the idea. Stand by for future updates relating to this game in the new year.

Saturday, 30 December 2017

The Monster Man contest: winners!

Well, it's been a heck of a ride, but the first Monster Man contest is finally over. Our eight finalists have been submitted to the judges, and the scores are back. Let's see how our finalists have done!

Now remember -- these eight finalists were selected from 28 entrants, and they're all going to receive some finalist goodies from our sponsors, so in this case, "they're all winners" isn't just something people say. It's really true!

Here, in no particular order, are the honourable mentions, with the judges' comments for each:

Puschel Wuschel by Herr Zinnling and Lina (aged 9)
"Would use this in a horror adventure, taking advantage of their ability to turn on those they live with."

"They're cute, they're fluffy, they glow in the dark, and if you annoy them they will EAT YOU! Who doesn't enjoy a bit of tough love?"

"The only encounter that put a big beaming smile on my face. It has also got the best name of the bunch."

Bear-Owl by Richard Scott

"Because after you've made your Owl Bear you've got some very specific spare parts left right? The idea of this thing swooping down on completely unsuspecting travellers is genius. It's a drop-bear owl!"

"High shock value, with its frightening visual of being dive-bombed by bear-headed bird monsters."

"I like the Vancian background to this creature - I can see it emerging from Rialto the Marvellous’ manse. It’s a terrifying one-shot encounter."

Fuggag by Aaron Oliver

"Clever idea to modify a golem, providing means for independent/intelligent piloting of a golem’s stats."

"Yeah, I remember these guys. Definitely classic monster stuff. I'm sure there are many people who have placed these over the heads of dolls and other toys to create monsters, totally unaware they were creating the dreaded Fuggag!"

"When the competition was announced, it was these little finger puppets that came to mind, so this is a monster that really fulfils the brief from my point of view. I like the idea of them controlling Golem like creatures too, like some kind of parasite, using the appendages of other creatures to make up for their puny efforts."

Glowber-tuttle by Kit Chapman

"The adorable little turtle that explodes with excitement. Amazing. Get one of the adventurers to find the cute little thing in a cave somewhere, have them journey together through all kinds of perils and get really attached to the little pet, then have it explode with joy! A suitably heartless prank for a DM to pull."

"Almost more of a trap or hazard than a creature, and can be re-used the same way as green slime or hazardous fungus: As the players encounter successive groups of these creatures, they develop tactics to avoid the danger."

"A very convincing ecology for these innocent looking creatures. I’m sure that adventuring parties would be willing to adopt them for their practical application in dark spaces. If there was a thrilling encounter and the Glowber exploded, it would brighten up the situation!"

Kafka by Kevin Chenevert

I should say as a personal note that this entry came within a razor thin margin of getting into the top three; it literally could not have been closer. Bad luck to Kevin for missing out, but I think it speaks to the excellent quality of all the entries!

"Clearest writing and organization of all the entries, and matches pretty well with the other giant insect power levels. Extremely useful monster across a range of levels. Great implications for different sorts of tactics and encounter types. Has plenty of “replay value,” especially once the players find out how to use the psychic gel."

"Giant insects are gross. The imagery that can be conjured up by an eloquent DM around a lair of flies and bugs is far worse than the grottiest goblin den. Add to that pack-hunting cockroaches that will swarm in the darkness overhead and suddenly drop silently upon their victims and you truly have the stuff of nightmares. Reminds me of that hideous BBC footage of snakes hunting as a pack, it's terrifying when it comes from animals you don't expect it of."

"Extra points for the clever name. A horde of giant cockroaches makes me shudder just thinking about it."

So congratulations and many thanks to our honourable mention finalists. And now, the moment you've all been waiting for: your Monster Man 2017 Contest winners!

Third Place Winner: Thurible Cat by Eric Nieudan

"This creature would make a perfect encounter for a temple. The ash-like breath is my favourite feature and an imaginative interpretation of an ‘infusion’."

"Nicely fills the design role of a non-living, non-undead guardian monster. Strong theming, great sketch, and good implication of baiting adventurers into waking it from its dormancy."

"I love tea, and I actually have this infuser (along with a sloth, elephant, pug, manatee, pig...) so I'm good to feature this beast in an adventure right now! What attracts me to the Thurrible Cat is the great black and white illustration- exactly the kind of re-imagining that would have graced the pages of an ancient monster manual. The feeding of the temple cat gives strong suggestion for it featuring in a quest. The party stumbles upon an ancient and derelict temple. As they breach the main sanctuary they become aware of a low purring from the darkness... the Thurrible Cat lurches forward, its innards cold, and demands fire...."

Second-Place Winner: Great Wight Shark by Chris Webb

"Shudder. I’ll not look at the CBBC magazine in quite the same way again. The glow in the dark appearance with the blood is really unsettling. I like the idea of the undead shark haunting dried up water ways. The iridescence would strike fear in an adventure party prior to it appearing."

"At the other end of the spectrum this is something out of a B Movie so terrible it's great. Sharknado anyone? Even better, this horror came from a kids' magazine! The lore that these spectres haunt the paths of long-dried-up waterways is wonderfully atmospheric. I can imagine a group of adventurers who stop for the night at the "Millwheel Tavern" and admire the great stone wheel which now resides as a table in the bar. The barkeep tells them the tale of how this used to be a thriving watermill but the local lord had the river dammed to make a private boating lake. At night they spy an eerie glow out on the moor... of course, the tale has to end with the local lord getting a just demise in the jaws of the beast!"

"Evocative visuals of semi-ghostly flying sharks! Easy to imagine, and sure to trigger a visceral reaction in the players. Great modeling too! I like how the entry forces the referee to think about environments/terrain where they creatures might dwell. The entry even has evocative suggestions for yet more creatures; I’m a sucker for creature name wordplay."

And our grand prize winner ... Afelyn by James Baillie!

As another note from me as contest organiser, this was a bit of an odd one. It wasn't a toy per se, and James asked me if it was OK to include given that fact, but I figured that the ethos of the contest was, in so many words, "eh, what the hell," and I signed off on it. And I'm glad I did -- the judges loved it! 

"Tremendously-useful background material. The entry has enough content for three separate “backstory reveal” items in a module that revolves around the creature. I really like the ties to nature, and the fantastical shifting of seasons."

"Normally, when monster designers create encounters, they focus on the ecology and not on the narrative possibilities. This entry stands out because it is so evocative: lots of ideas spring off the page. There was something about it that reminded me of the Fiend Factory about creatures from the Land of Faerie. A very magical and mystical creature that I can imagine shambling from the undergrowth. Extra kudos for the accompanying tale and plot hooks (I’m going to steal a couple of those)."

"With my love of Celtic/folkloric creatures and fairy tales the Afelyn really floats my boat. I love that it's not a plastic thing but a (totally free) natural form which has been added to and given a background appropriate to its origins. It conjures up in my mind something between the Mystics from Dark Crystal and Arthur Rackham pixie illustrations. As a herald of autumn I like that the rules have given it a withering ability and made it especially powerful against the undead - the enemies of natural order. I'm not sure what size the Afelyn is imagined at but I see it as either a very small creature able to hide in piles of leaves and tree stumps or as a very large creature which could be mistaken for such things. Of course, being a nature spirit it could be BOTH these things. I can see a great campaign where some adventurers have to find where the Afelyn is dwelling and convince it to move on so that Spring will come around again."

Congratulations to James and to all our entrants, and many thanks to everyone who participated: our sponsors for their generosity, our judges for their expertise, our contestants for their creativity, and everyone who voted for supporting the contest. The monster contest has been a great success, and I'm already cooking up our next contest, which will have a slightly different theme, for later in 2018. 

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